g lab gsc2 manual

Wholesale bonus, there are six outputs to drive the pedals (which saves space), the ability to control 3 units morning (and that's still top), and an integrated buffer. I do not know I do not know of any competitor in any case it is an investment that I do not regret. Finally if you use the effects loop of your amp I recommend MIDI 4x loop to take full advantage! 4 of 5 people found this review helpful Did you find this review helpful? yes no. I would do the same choice.Finished playing the clappers. I have not yet been able to test all functions of the beast, but what I could see I was very appealing. I use it with a wah, a DO, a distortion of Bourin, a Line 6 M5 and a chorus of at Boss. There are 6 loops. I have not tested other, but in that the there is an extra loop for the tuner (which is not included in other models) so really 6 loops for pedals. I can, leaving an example frees more and plugging my Line 6 in the loop since I can order it by noon. IT is possible to control the sound of his amp footswitch. Then that makes for a pedal to lug around. A power supply is included for all pedals. No more mutiprises and extension cords that never end. I use the Wah Wah with a pad. Well it makes you wonder how we did before. Especially since my Wah, a interuptor deported. Well there you set foot, Wah snaps. You take your foot off the Wah and turns off. There is no lag nothing. You can program the G-Lab directly or by means of a PC that makes it much easier and gives access to parameters that are not available online.Regarding the control of the amp, a little thing bizare, the functions are reversed (at least for my amp), that is to say that not to have the distortion of the amp, I must face as if I wanted, and vice versa. It is the same for the reverb. The record (in Polish in the box, and English on the net) is talking about a new firmware version that will correct thing, but I did not find this version. I have not tested all functions noon.

• g lab gsc 2 manual, g lab gsc2 manual, g lab gsc 4 manual, g lab gsc2 manual pdf, g lab gsc2 manual download, g lab gsc2 manual free, g lab gsc2 manual online.

Discover everything Scribd has to offer, including books and audiobooks from major publishers. Start Free Trial Cancel anytime. Report this Document Download Now Save Save G-Lab GSC2 Manual For Later 0 ratings 0% found this document useful (0 votes) 272 views 20 pages G-Lab GSC2 Manual Uploaded by demonclaener Description: G-Lab GSC2 Manual Full description Save Save G-Lab GSC2 Manual For Later 0% 0% found this document useful, Mark this document as useful 0% 0% found this document not useful, Mark this document as not useful Embed Share Print Download Now Jump to Page You are on page 1 of 20 Search inside document Browse Books Site Directory Site Language: English Change Language English Change Language. In firmware version 2.23 and lower the silent switching works on level CP5.Thank you, for helping us keep this platform clean. The editors will have a look at it as soon as possible. By pressing just a single. Loops direct switching mode Set DEF footswitch as the loop direct mode switch (see: LOOP button settings). Select adequate preset and press shortly DEF footswitch (preset indicator starts to blink and LOOP indicator starts to light). Programming MIDI program No. programming a) Connect MIDI cable between MIDI OUT output connector and MIDI IN input connector of the controlled device. SW1 to SW4 outputs work on the latching system principle. Majority of amps is controlled in this way. SW1 to SW4 lit indicators mean short-cutting of the adequate relay’s contacts. The wah-pad should be placed beneath a wah-wah effect and the wah-pad’s connector should be plugged into LINK connector. Subscribe to our free newsletter Request a new review Very nice to have a lot of pedals, but it quickly becomes tedious when regularly changing sounds. With this machine, the problem is solved. The machine (which seems very solid) is very easy to configure, each footswitch can have the function that you want. Importantly, there is no latency between each preset.

The connection is very complete. A 1 amp power supply is provided, again, you can directly connect your pedals on the two thanks to GSC 9 6 volt type connector boss. The icing on the cake, 6 power cables are provided. This product is remarkable because very open. It adapts to any type of configuration (Have a look at the site of France G lab to see the possibilities of the machine). I currently used to control 8 6 effects soon grace the south loop of G 2 lab. I can create and combinations of complex effects unthinkable without this type of pedal. Regarding the audio, the use of the device is very simple, the programming of different presets is very easy. Note that it is possible to program 10 presets per bank of 10 different banks. Imagine the range of possibilities (each bank contains the presets for each song, for example). I have not opinion on the part twelve o'clock because I have not tried it yet. I just hope it will also be intuitive that the party loop. To conclude it is an excellent product, which will simplify the lives of many guitarists encumbered by their pedals. The price is justified toutafait compared to what the product brings. I do it again this choice without a doubt. 6 of 7 people found this review helpful Did you find this review helpful? yes no By using our services, you agree to our use of cookies. Find out more. You may also reset your password. One for the loop and one in front of the amp. Setting presets and switches is not the problem, but I want to send a CC to one of the H9 to switch on a preset and with a second push switch it off again. Has anyone nearly the same set-up or generally can give me explanation for this? I want to set one switch on the GSC for tempo tapping. Same problem here, nothing works. If this is your issue, give us full details. Why it doesnt work I cant figure out.I hoop its clear trying to explain this stuff is difficult enough If this is your issue, give us full details.

I am far from having tested everything in this stuff, I will return to this opinion when I have tested more options. 6 of 7 people found this review helpful Did you find this review helpful? yes no. The possibilities are enormous. Routing does not alter its effects. I use it to control the channels of my amp head, and the effects and also Tc G Force in the afternoon to delay, pitch etc. It's a great product that does not really equivalent. Noted that I also acquired the extension 1000 and I thank those who helped me once (on G.com mainly) to install all this because like any self-respecting guitarist, I'm no Midi The value is as always with G-Lab: perfect. And of course I would do without hesitation I would take that choice and still two rather than three colors for the LEDs that make life good live 3 of 4 people found this review helpful Did you find this review helpful? yes no. This is my first pdalier. Management 6 loops, MIDI program change 3, 7, exchange control, a buffer dbrayable, 4 channels relay, 6 outputs 9V cable sold in 2 isolated section. Blocker button parameters. Wah pad option. Game LED indicator state. This is the point nvralgique my set, he controls everything and does it well. Mine is not a problem with the sequence of fuzz, distortion or overdrive. 3 of 4 people found this review helpful Did you find this review helpful? yes no. Excellent value for money. I referrer that choice if I needed different sounds for less than what I do because it's great. The programming is super simple. I know nothing about noon and I fly with 2 pedals. Publisher PC easy and convenient. 3 of 4 people found this review helpful Did you find this review helpful? yes no I take a free loop of the 6 proposed another amp I plug the send, this m memory I have sent a volume of Contrle Azro to silence the first amp and putting it on the ground lift SECOND voil the crankset becomes amp control, everything has to just under 400 euros.Did you find this review helpful? yes no.

Kinda suprised Digi didnt make a controller just for Eleven like Line 6 POD, Amplitube, and Guitar Rig do.I personally dont like that style of controller with small button, i prefer the larger ones. But any way, will the screen on the Ground Control spell out the names of the Amp models in the rack. Kinda suprised Digi didnt make a controller just for Eleven like Line 6 POD, Amplitube, and Guitar Rig do. Keep in mind you can use any controller, you'll just have to program it. We'll have a template for the Ground Control specifically coming at a future date. As for why we didn't do our own foot controller - another good question that I don't have a solid answer to. I'll see if I can dig anything up on that.I figure your going to want something with at least two pedals built in for volume and Wha plus maybe more for modulation etc. I do own one and feel that it is the ultimate floor midi controller. Just my opinion, but it does kick ass.Plus it will interface with just about any connection type.Plus it will interface with just about any connection type. Help a brother out if you can. 2 quick questions- Form factor is a main one, they are all huge. The Moog MP-201 is 4 buttons and an exp pedal, pretty much perfect size for my rig, that’s why I want to know about it specifically. In general, any options known would be appreciated. Thanks in advance. And I couldn?t find any info regarding the MP-201 being able to transmit CCs with specific values. This is required to be able to use it with your OT and its pickup machines. See page 133 in OT manual. No, specific pedal per se. But nifty gadgets that probably could be used to convert an “normal” footcontroller into an Note Number transmitting controller.I thank you for your reply, and I will go look at midi solutions right now. And I couldn?t find any info regarding the MP-201 being able to transmit CCs with specific values. This is required to be able to use it with your OT and its pickup machines.

All trademarks are the property of their respective owners. Read our Terms, Conditions and Privacy Policy. This unit provides 6 programable effect loops, amp switching capabilities, power for six 9V pedals, MIDI control and much more. Rubber feet where taken out in order to place it on a pedal board. Please contact them to ask about shipping. Scratches here and there, but nothing major. This unit features everything the GSC-3 features, but with the difference that this one uses hard plastic buttons instead of metal ones. This unit provides 6 programable effect loops, amp switching capabilities, power for six 9V pedals, MIDI control and much more. Rubber feet where taken out in order to place it on a pedal board. Original box, manual, 2 preset charts, a preset quick programming chart and some of the power cables will be included. Items must be returned in original, as-shipped condition with all original packaging.Please check the fields highlighted in red.Currency. Help Us Help You Knowledge Base Search.Wondering what Digi tested it with. I figure your going to want something with at least two pedals built in for volume and Wha plus maybe more for modulation etc.But I like these 3 for various reasons. With the Stomp IO you will not only get the controller but all the Amplitube products. Thats nice because you could position the volume or wah pedals away from the main pedal. The Stomp IO is pretty much like the Eleven Rack, as it is also an interface. Roland makes great products. Iv never had a problem with them.Its hard to mess that up. The pro is, its cheap, and you got lots of pedals, con is its not as sturdy as the Roland or Stomp, but if your not jamming your foot into it like you would a red headed step child it will hold up fine. I personally dont like that style of controller with small button, i prefer the larger ones. But any way, will the screen on the Ground Control spell out the names of the Amp models in the rack.

It has a tuner out, has a buffer that really cleans up the signal and powers your pedals, and you can program it via USB on a PC. If you bought a Voodoo Labs solution, you'd still need a power supply on top of the looper and foot controller and it'd cost you a grand easily. I paid ?200 for my GSC-3, a bargain in my humble opinion. Hope that helps! DarrenThey do look really really tempting as you say Darren, a good spec for the price and expandable with more loopsIt looks great for switching and keyboards, but if you want a few choice pedals and need to integrate them, power them etc.For what you want (switching, MIDI control, pedals) I'd still say the GSC-3 (a bit biased, but it really does the lot in one package!) DarrenThey do look really really tempting as you say Darren, a good spec for the price and expandable with more loops With the right cables, I wouldn't need it). Look out for them on eBay - that's where I got my last one. In fact, there is one on there right now. DarrenI had made my mind up to get the softstep and now you made me waiver lol My number one priority is the midi control initially.The manual I downloaded for this unit is well pretty terrible, so I was concerned about the flexibility of the midi implementation, but the audio switching is very very tempting too, to be honest I am only starting with hardware effects so this feature would be an investment in the future. (if I get the softstep then at some point a audio loop switcher Voodoo labs or FAMC or similar would be on the cards.) damn it! I use it like this: Bottom row, plus buttons 0 and 9 - these I use for presets. I can switch on any of the loops, the buffer, control 2 x MIDI devices (and more if you configure it differently) Top row 6, 7 and 8 - I use these (generally) for IA switches. Each one can turn on a loop, or send a CC, or a PC You can have each bank work differently (and there are 10 banks). So you could have 5 IA switches. Or 2. Whatever. And a different set on another bank.

For instance, Bank 1 I have all the stuff where I need to add a TS808 (Streets, AIWIY) and that is activated with button 7. Other banks I have things like BD, which is 4 presets that send MIDI and activate loops, and One, no IA buttons required. Just takes a bit of thinking about to maximise it. Oh, and it will also do 2 mechanical switches, for amps etc. - you can set it to send latching or momentary. Manual is here: Have a read, see if it will do all you want. Off to bed mate - happy reading! DarrenDo you have a HD500? Microphones Wind Instruments Upgrades Roland TD-Drums Modul Boss Looper Upgrade The item was not in stock, but it became available when promised and was delivered immediately.Add to wishlistReport incorrect data Did you see an error regarding this product.Perhaps you should consider introducing a customer loyalty program (points for future discounts)Stock products only. Nebo jeste lip primo s MIDI kontrolerem MGC-6. Nicmene ja osobne bych teto znacce veril, ty efekty vypadaji hodne promyslene a spolehlive, ukazky pusobi dojmem, ze zvuk je velmi dobry. Nicmene ja osobne bych teto znacce veril, ty efekty vypadaji hodne promyslene a spolehlive, ukazky pusobi dojmem, ze zvuk je velmi dobry. Ale zkusenost je zkusenost a treba to ma nejakou mouchu, ktera muze vadit. Nicmene vse vypada velmi kvalitne a i zahranicni recenze hovori pro nej. Osobne pouzivam rezim, kdy mam k dispozici vsech 10 presetu v kazde bance. Banky se daji prepinat budto delsim pridrzenim pedalu s konkretnim cislem, nebo rezim, kdy se banky nahoru-dolu prepinaji 5-kou a nulou ( v tom pripade je v kazdem banku k dispozici 8 presetu), popr.jako dalsi prislusenstvi je modul jen na prepinani bank. Ovladam s timto pedalem 3 ruzne aparaty a zatim jsem nenasel problem. Krome jineho tim prepinam i kanaly a jump na sola na aparatu (klasicke hlave ktera nema midi). Ma to samostatne smycky na dalsi efekty a vsechno se da namichat-naprogramovat dohromady.

See page 133 in OT manual. No, specific pedal per se. But nifty gadgets that probably could be used to convert an “normal” footcontroller into an Note Number transmitting controller.If the foot pedal only sends out Midi CC’s, send CC 59 to the autochannel. That CC message will be interpreted as a note on command from the Octatrack. The CC value corresponds to Midi notes. To initiate combo recording for example, send CC 59 with a value of 60.” My interpretation if the above is in fact true: The expression pedal works just fine for controlling the crossfader as well. The expression pedal works just fine for controlling the crossfader as well. If the foot pedal only sends out Midi CC’s, send CC 59 to the autochannel. That CC message will be interpreted as a note on command from the Octatrack. The CC value corresponds to Midi notes. To initiate combo recording for example, send CC 59 with a value of 60.” My interpretation if the above is in fact true: Many (but not all) footcontrollers does transmit CCs. However: the real question is do these footcontrollers transmit CCs with pre-defined max values instead of just 0-127. In my experience: not many. Given that you are able to have 32 “presets” (depending on how complex the programming in it needs to be) in the Event Processor Plus. With this there?s a vast possibilities in regard to what kind of control you are able to acheive.The expression pedal works just fine for controlling the crossfader as well. Hold and release? Or some other method? Is that how this would work. I don’t own the Moog yet, it’s at the top of my list for pedals like this. Hold and release? Or some other method? Is that how this would work. I don’t own the Moog yet, it’s at the top of my list for pedals like this. But anyway I’m using the softstep now as a controller. I sold my MP-201 which i kind of regret now. And yes, this is exactly how you would program the crossfader CC. No Tap Tempo via midi, sorry. I really need that as well.

I’ve been thinking about getting a separate pedal for that, It is good news, but quite odd that a customer seemingly has to figure out all by himself regarding how to program the MP201 to start transmitting note numbers.How was it quality-wise? Hold and release? Or some other method? Is that how this would work. I don’t own the Moog yet, it’s at the top of my list for pedals like this. But anyway I’m using the softstep now as a controller. I sold my MP-201 which i kind of regret now. And yes, this is exactly how you would program the crossfader CC. No Tap Tempo via midi, sorry. I really need that as well. Since it basically navigates between your tracks (regardless of what type of machine any of these track uses). Your first two values listed are aimed towards PickUp machines. The third (seq lock start) is a “combo control” together with other tracks to have them synced to your (first) loop. It is good news, but quite odd that a customer seemingly has to figure out all by himself regarding how to program the MP201 to start transmitting note numbers.How was it quality-wise. Very sturdy, and quality all the way through. The reason i sold it though, was because programming it was a bitch, and it was a bit buggy as well. The reason i miss it, is because of its CV capabilities. It can make your moogerfoogers go crazy! But they?re not in any correlation to each other? Would be nice to find out. To start viewing posts. We suggest starting with the Forum Rules and Forum Guide. To learn about forum features check out the FAQ by clicking the link above.I am itching to buy a floor controller (see earlier Keith McMillen thread.) This also looks interesting, whilst maybe less flexible than the softstep, it has audio loop switching. Anyone used one?So, when I was rebuilding my pedalboard I looked at many other options (most of which had to be imported, Musicomlab etc.

Kdyz jsem pedal poprve videl nazivo, prekvapila me solidni bytelna konstrukce. Vynikajici vec je take moznost napajeni dalsich efektu primo z pedalu, takze zadny dalsi zdroj v pedalboardu neni potreba. Od G-labu mam jeste Wah-pad pod kvakadlo a po dosavadnich zkusenostech bych se od nich nebal koupit vubec nic. Osobne pouzivam rezim, kdy mam k dispozici vsech 10 presetu v kazde bance. Banky se daji prepinat budto delsim pridrzenim pedalu s konkretnim cislem, nebo rezim, kdy se banky nahoru-dolu prepinaji 5-kou a nulou ( v tom pripade je v kazdem banku k dispozici 8 presetu), popr.jako dalsi prislusenstvi je modul jen na prepinani bank. Ovladam s timto pedalem 3 ruzne aparaty a zatim jsem nenasel problem. Krome jineho tim prepinam i kanaly a jump na sola na aparatu (klasicke hlave ktera nema midi). Ma to samostatne smycky na dalsi efekty a vsechno se da namichat-naprogramovat dohromady. Kdyz jsem pedal poprve videl nazivo, prekvapila me solidni bytelna konstrukce. Vynikajici vec je take moznost napajeni dalsich efektu primo z pedalu, takze zadny dalsi zdroj v pedalboardu neni potreba. Od G-labu mam jeste Wah-pad pod kvakadlo a po dosavadnich zkusenostech bych se od nich nebal koupit vubec nic. V polsku jsou lepsi ceny a ja shanim 4xmidi loop. Kdyby se nekdo nasel, muzeme se podelit o postovne. Shop napr.,g-lab.html Mozna ti nabidnou vic, nez zakaznickych 6%. Jsem z toho trochu jelen, nikdy jsem s midi nepracoval. Vyslat midi povel se mi povedlo pomerne snadno, ten klient v pocitaci je hodne uzitecny. Clovek nemusi byt porad predehnuty a je to hezky prehledne. Nicmene chapu spravne, ze kdyz vyslu povel, ktery zapne smycku v externi liste, musim pak jeste vyslat povel, ktery ji vypne. Pro me to tedy znamena, ze ke kazdemu presetu, kde neni smycka z externi listy musim priradit pokyn na vypnuti smycek v externi liste. Neni zpusob, jak to obejit. Diky, tady jeste manual externi listy. Spis vysvetli, co a proc v jake situaci v podiu potrebujes prepnout.

Samozrejme na GSC mas jeste 6 internich smycek. Prepnu na preset s delayem (ktery je v 4x midi loop) pomoci midi pokynu. Pak chci prepnou zpatky na preset s boosterem a TS. Nicmene smycka v externi liste (s delayem) zustane zapnuta, pokud muj preset s TS neobsahuje i pokyn pro jeji vypnuti. Tim padem mam pak vlastne ve vsech presetech obsazeny jeden midipokyn.Chces to v stereu? P.S.: Absence plnohodnotne stereo smycky je pro mne snad jedina vada na krase GSC. Udelat s nim jd, ale spotrbuji se na to cca 4 smycky. Co se tyce looperu se stereo smyckou, vim jen o Carl Martin Octaswitch (ten je bez MIDI) a GigRig u. Pripadne elegantnejsi reseni je mit kontroler s dostatkem smycek. Treba ty dva vyse uvedene maji o 2 vic nez GSC. Tenhle taky. Anyone has it? It's the same but the switches are different. Wanna hear about that. I've only used it for 2 hours so far but will be spending this eve with it. It's the same but the switches are different. Wanna hear about that? Really heavy duty metal, and the switches barely move at all - they're almost touch sensitive, which sounds wierd but it actually works really well. The jack connectors feel really solid, and the power cable screws on to the unit so there's no chance it'll be accidentally pulled out. But it isn't. In fact I can already hit those switches without needing to look at the switcher! It doesn't bother me at all. The switches are relay based which means there is the slightest moment of silence when you select a new preset. I was worried that'd be a problem for me but you can only hear it when the sound is drastically changing, like clean to fuzz. But i've started pressing the button just ahead of the change, and when I do that I can't hear any gap while we're playing. No biggie, and will probably be for the best on a dark stage where you wouldn't be able to see the lights otherwise. I did make switch 10 a modifier, which means that I can turn on my modulation in addition to whichever patch I've selected in bank 1.

Works really well. The switchable buffer is a really thoughtful addition - I used to use my Korg tuner at the front partly for its buffer, but now it's in a seperate tuning output it's good to have the option to get some treble and punch back before the first pedal. No problems powering my PS-3, SD-1, CS-2, Muff, CAE-401 with 18v adapter and tuner. Really heavy duty metal, and the switches barely move at all - they're almost touch sensitive, which sounds wierd but it actually works really well. The jack connectors feel really solid, and the power cable screws on to the unit so there's no chance it'll be accidentally pulled out. But it isn't. In fact I can already hit those switches without needing to look at the switcher! It doesn't bother me at all. The switches are relay based which means there is the slightest moment of silence when you select a new preset. I was worried that'd be a problem for me but you can only hear it when the sound is drastically changing, like clean to fuzz. But i've started pressing the button just ahead of the change, and when I do that I can't hear any gap while we're playing. No biggie, and will probably be for the best on a dark stage where you wouldn't be able to see the lights otherwise. I did make switch 10 a modifier, which means that I can turn on my modulation in addition to whichever patch I've selected in bank 1. Works really well. The switchable buffer is a really thoughtful addition - I used to use my Korg tuner at the front partly for its buffer, but now it's in a seperate tuning output it's good to have the option to get some treble and punch back before the first pedal. No problems powering my PS-3, SD-1, CS-2, Muff, CAE-401 with 18v adapter and tuner. It'll be having its first gig with me tonight. Paste as plain text instead Display as a link instead Clear editor Upload or insert images from URL.